Flinqué Flower II

Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.
Mechanical drawing “Fleur Flinqué II” inspired by Swiss flinqué watch decoration, by Jérôme Gautier using BIC pens and pen plotting.

Flinqué Flower II

This composition translates the logic of flinqué into a stylized floral form. A large central motif, built from superimposed undulating circles, evokes a corolla with regular petals. Around it, smaller flowers extend the structure, creating a sense of organic growth born from mechanical drawing. The contrast between the rigor of the parametric system and the immediate image of a flower highlights the encounter between geometric artifice and nature. Made by Swiss Artist Jérôme Gautier.

Technical Details:

  • Drawing time: 1:15h

  • Distance drawn: 181 meters

  • Paper: 350gr Silk Coated Paper

A limited edition of 25 pieces, in A3 format (29.7 x 42 cm), delivered with certificate of authenticity

CHF 150

Acheter

Description

Jérôme Gautier is a Swiss designer and artist whose work explores the line as a raw material. Trained in New Media Design and Parametric Design at the Berlin University of the Arts, he designs or adapts his own tools, both software and hardware, to create systems inspired by the patterns of nature. These systems generate motifs, drawn with or without ink, where the search for micro-variations makes each piece both unique and essential.

His work stands at the intersection of tradition and innovation. Through code, generative design, and pen-plotter drawing, he reinterprets ancient decorative techniques with a contemporary sensibility. His mechanical drawings are meditations on time and repetition: each line, drawn slowly, replays the same gesture, seeking variation within constancy.

Ink, paper, and repetition become a language, a visible form of time, oscillating between control and chance.

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