Flinqué Mosaïque Blue

A blue reinterpretation of flinqué patterns from Swiss horology, plotted stroke by stroke.
Generative mechanical drawing inspired by Swiss flinqué technique, created by Jérôme Gautier using a pen plotter and BIC pens.
Generative mechanical drawing inspired by Swiss flinqué technique, created by Jérôme Gautier using a pen plotter and BIC pens.
Generative mechanical drawing inspired by Swiss flinqué technique, created by Jérôme Gautier using a pen plotter and BIC pens.
Generative mechanical drawing inspired by Swiss flinqué technique, created by Jérôme Gautier using a pen plotter and BIC pens.
Generative mechanical drawing inspired by Swiss flinqué technique, created by Jérôme Gautier using a pen plotter and BIC pens.

Flinqué Mosaïque Blue

At the center, a luminous flinqué catches the light before fading into a matte ring; the large petals regain their brilliant shine, and the outer edge softens into a discreet satin finish.

Drawn slowly with a blue BIC pen by a Pen Plotter, this subtle alternation between gloss and matte creates a distinctive optical vibration, where the mechanical rigor of guilloché meets the contemporary vision of Swiss artist Jérôme Gautier.

The deep blue brings calm and elegance while enhancing the play of light across the composition.

Technical Details:

  • Drawing time: 6 hours

  • Distance drawn: 606 meters

  • Paper: 350gr Silk Coated Paper

A limited edition of 25 pieces, in A3 format (29.7 x 42 cm), delivered with certificate of authenticity

CHF 250

Acheter

Description

Jérôme Gautier is a Swiss designer and artist whose work explores the line as a raw material. Trained in New Media Design and Parametric Design at the Berlin University of the Arts, he designs or adapts his own tools, both software and hardware, to create systems inspired by the patterns of nature. These systems generate motifs, drawn with or without ink, where the search for micro-variations makes each piece both unique and essential.

His work stands at the intersection of tradition and innovation. Through code, generative design, and pen-plotter drawing, he reinterprets ancient decorative techniques with a contemporary sensibility. His mechanical drawings are meditations on time and repetition: each line, drawn slowly, replays the same gesture, seeking variation within constancy.

Ink, paper, and repetition become a language, a visible form of time, oscillating between control and chance.

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