Guilloché Haute Amplitude Orange

Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.
Mechanical drawing “Guilloché Haute Amplitude Orange” with dynamic high-amplitude guilloché patterns.

Guilloché Haute Amplitude Orange

With Haute Amplitude, Swiss artist Jérôme Gautier interprets the heritage of horological guilloché. Wide concentric circles unfold in steady waves, echoing the engraved dials of the great watchmaking houses. Drawn with a BIC pen by a Pen Plotter, the lines reveal subtle variations that transform geometric rigor into optical vibration.

In this Orange edition, the energy of the waves takes on a luminous, vibrant dimension, infusing the pattern with an almost solar intensity.

Technical Details:

  • Drawing time: 7 hours

  • Distance drawn: 1’526 meters

  • Paper: 350gr Silk Coated Paper

A limited edition of 25 pieces, in A3 format (29.7 x 42 cm), delivered with certificate of authenticity

CHF 250

Acheter

Description

Jérôme Gautier is a Swiss designer and artist whose work explores the line as a raw material. Trained in New Media Design and Parametric Design at the Berlin University of the Arts, he designs or adapts his own tools, both software and hardware, to create systems inspired by the patterns of nature. These systems generate motifs, drawn with or without ink, where the search for micro-variations makes each piece both unique and essential.

His work stands at the intersection of tradition and innovation. Through code, generative design, and pen-plotter drawing, he reinterprets ancient decorative techniques with a contemporary sensibility. His mechanical drawings are meditations on time and repetition: each line, drawn slowly, replays the same gesture, seeking variation within constancy.

Ink, paper, and repetition become a language, a visible form of time, oscillating between control and chance.

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