Guilloché Mosaïque Black

Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Guilloché Mosaïque Black - Image 4
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Guilloché Mosaïque Black - Image 7
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Black “Guilloché Mosaïque Noir” artwork tribute to Swiss watch guilloché patterns.
Guilloché Mosaïque Black - Image 11

Guilloché Mosaïque Black

This composition draws on the heritage of horological guilloché to reinvent it. The lines, traced with a black BIC pen by a Pen Plotter, unfold in undulating flows before being framed by a mosaic structure. Each stroke, slightly offset, leaves a unique imprint on the paper, creating an optical vibration where mechanical precision meets contemporary creativity.

In this Noir Cristal edition, the depth of the ink gives the motif a refined, timeless intensity, revealing the full graphic strength of the composition. A contemporary interpretation by Swiss artist Jérôme Gautier.

Technical Details:

  • Drawing time: 4:30 hours

  • Distance drawn: 459 meters

  • Paper: 350gr Silk Coated Paper

A limited edition of 25 pieces, in A3 format (29.7 x 42 cm), delivered with certificate of authenticity

CHF 250

Acheter

Description

Jérôme Gautier is a Swiss designer and artist whose work explores the line as a raw material. Trained in New Media Design and Parametric Design at the Berlin University of the Arts, he designs or adapts his own tools, both software and hardware, to create systems inspired by the patterns of nature. These systems generate motifs, drawn with or without ink, where the search for micro-variations makes each piece both unique and essential.

His work stands at the intersection of tradition and innovation. Through code, generative design, and pen-plotter drawing, he reinterprets ancient decorative techniques with a contemporary sensibility. His mechanical drawings are meditations on time and repetition: each line, drawn slowly, replays the same gesture, seeking variation within constancy.

Ink, paper, and repetition become a language, a visible form of time, oscillating between control and chance.

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