Guilloché Mosaïque Blue

Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier
Generative mechanical drawing “Guilloché Mosaïque Bleu” inspired by Swiss guilloché decoration, by Jérôme Gautier

Guilloché Mosaïque Blue

This composition draws on the heritage of horological guilloché to reinvent it. The lines, traced with a blue BIC Cristal pen by a Pen Plotter, unfold in undulating flows before being framed by a mosaic structure. Each stroke, slightly offset, leaves a unique imprint on the paper, creating an optical vibration where mechanical precision meets contemporary creativity.

In this Bleu Cristal edition, the soothing tone of the ink enhances the delicacy of the motif and deepens its hypnotic character. A contemporary interpretation by the Swiss artist Jérôme Gautier.

Technical Details:

  • Drawing time: 4:30 hours

  • Distance drawn: 459 meters

  • Paper: 350gr Silk Coated Paper

A limited edition of 25 pieces, in A3 format (29.7 x 42 cm), delivered with certificate of authenticity

CHF 250

Acheter

Description

Jérôme Gautier is a Swiss designer and artist whose work explores the line as a raw material. Trained in New Media Design and Parametric Design at the Berlin University of the Arts, he designs or adapts his own tools, both software and hardware, to create systems inspired by the patterns of nature. These systems generate motifs, drawn with or without ink, where the search for micro-variations makes each piece both unique and essential.

His work stands at the intersection of tradition and innovation. Through code, generative design, and pen-plotter drawing, he reinterprets ancient decorative techniques with a contemporary sensibility. His mechanical drawings are meditations on time and repetition: each line, drawn slowly, replays the same gesture, seeking variation within constancy.

Ink, paper, and repetition become a language, a visible form of time, oscillating between control and chance.

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